ReMix:Wild Arms "Holy Mother!" 7:48

I love this remix. It fuses such disparate elements and does them all really well. I just get it running through my head at random times, and it takes a LOT of repetitions to become unwelcome.

This is kind of an odd remix for me. The vocalized chorus don’t seem to blend with the beats, almost making them sound out of sync to me. The bass and percussion work is great, and some of the synth work here is pretty good too. Not all, but some. Production wise, it’s decent. But for my ears, I don’t see myself listening to this more than once. Although Rexy does have an interesting point on this track being good for Audiosurf.

Damn there's a lot of Dnb coming out of this album. Crazy soundscape and frantic feel. Machines coming alive was a good way to describe it. Really digging the beat in places. Loved the effect at 3:35 then the transition into the choir, which sounds strange and great. Really liked the build around 4:45, although then the release at 5:13 kinda flopped. I liked the switch to half time at 5:58. Good track

Hehe, this is a weird little drum and bass song. It's got the frantic energy that drum and bass demands, but it's also got a lot of odd sci-fi sounding quirks to it. Again, as with a lot of these long ReMixes off of ARMed and DANGerous, it has enough variety to keep the ReMix from getting boring and such. There is still a melody going on that you can hear throughout it all, which was great, and I enjoyed the break halfway past the fourth minute. Cool stuff you have here.

This mix is a fun a bit of a quirky mix coming from E-Bison - you don't really see it coming from this angle. There's some great execution here, although I think the ending is sort of weak when given how the rest of the song goes. The song doesn't manage to get old due to how many things are going on here, which is a good thing for people to take note of - the source itself isn't that complicated, so it's pretty much an example of how to have fun with a source and twist it in all sorts of ways while retaining its recognizable melody. Good job by the bison here!

Oooh, E-Bison. Long time no see! (and what's with all the long electronica tracks in the mix-flood, Jade? )

I feel glad to see a return to form come through for Elliot, and indeed this comeback track demonstrates the capacities very capably well with some solid synth processing mostly within the lower-register that fit the feel of the source remarkably well, what sounds like a lot of clock-ticking sounds fitting with this etheral soundscape (leftovers from "Time Management"?) and some very classy filter/gating/envelope manipulation that have shown that his means of production have improved drastically since we last saw him.

In regards to the writing, I kind of feel torn. I don't mind drum n' bass every now and again and it's definitely a brilliant way of writing within the constraints of the genre. But structure-wise it may be a little difficult to follow and understand where it's going, and it would definitely take a few listens to even remotely get to grips with the progression. Though, you know what this means to me - this might be an interesting track to Audiosurf to (!!).

Either way, I offer a hearty welcome back to OCR after all this time, Elliot! If your production's up to this calibre, then goodness knows what future submissions may turn out to be like

What did you think? Post your opinion of this ReMix.